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Blue Microphones Yeti USBMicrophone, Boxed with instructions and USB cable. Part number:101213
Manufacturer product ID: 1950
UPC Code: UPC836213001950
Manufacturer: Blue Microphones
Weight (Kg): 1.65 Key FeaturesPower Required/Consumption: 5V 500mA (USB) 4V DC (Analogue)Polar Patterns: Cardioid, Bidirectional, Omnidirectional, StereoFrequency Responce: 20Hz 20kHzWeight: (microphone) 1.2 lbs/0.55 kg (stand) 2.2 lbs/1 kgDimensions: 12 x 12.5 x 29.5 cm (extended in stand)Ultimate USB mic for professional recordingThe Yeti is one of the most advanced and versatile multi-pattern USBmicrophones available anywhere. Combining three capsules and four differentpattern settings, the Yeti is an ultimate tool for creating amazing recordings,directly to your computer. With exceptional sound and performance, the Yeti cancapture anything with a clarity & ease unheard of in a USB microphone.The Yeti features Blue’s innovative triple capsule array, allowing forrecording in stereo or your choice of three unique patterns, includingcardioid, omnidirectional, and bidirectional, giving you recording capabilitiesusually requiring multiple microphones.The Yeti utilizes a high quality analog-to-digital converter to sendincredible audio fidelity directly into your computer, a built-in headphoneamplifier for zero-latency monitoring, and simple controls for headphonevolume, pattern selection, instant mute, and microphone gain located directlyon the microphone. There are no drivers to install – simply plug the Yeti intoyour PC or Mac, load up your favorite recording software, and record somethingamazing.Legendary FeaturesThe legend of the Yeti continues with the most advanced and versatilemulti-pattern USB microphone roaming the wild today. The Yeti features toolsand recording capabilities usually requiring multiple microphones and devices,all with the simplicity of a plug ‘n play USB microphone.4 settings. Endless possibilitiesYou can quickly select from each of Yeti’s four pattern settings (stereo,cardioid, omnidirectional, bidirectional) by simply rotating the patternselector knob. The chart below shows each pattern’s symbol, sound sourcedirection, and suggested recording applications.For a more in-depth look at each pattern, please refer to the detaileddescriptions and frequency response charts further down the page.StereoThe Stereo mode is great for capturing a realistic stereo image. To start,point the microphone at the sound source that you want to record (the”front” of the microphone is the side of the microphone with the BlueMicrophones Logo). Depending on the instrument and/or sound that you want toachieve, place the grill of the microphone anywhere from 2 inches to severalfeet in front of the sound source. By centering the sound source, you will getequal amounts of signal in both the left and right channels. If you want alittle more of the signal in the right channel, move the sound source a littleto the right side of the mic (as if one is behind the microphone), and if youwant a little more of the signal in the left channel, move the sound source tothe left (as if you are behind the microphone). Alternatively, you can recordeverything as centered as possible, and easily adjust the position when you’remixing the recording. If you want the sound in the right or left channel only,you should try using the cardioid, bidirectional or the omnidirectional setting,and use your software to hard-pan the sound to the left or the right.CardiodCardioid is the most commonly used mode and can be useful in most anysituation. If you are recording vocals, a podcast, or a voiceover, cardioid islikely your best choice. When recording in cardioid, sound directly in front ofthe microphone is picked up while the sound at the rear and sides of themicrophone is not picked up. Therefore, you will want to arrange the sourcedirectly in front of the microphone. Cardioid will deliver the most direct,rich sound, but will not offer as much airiness or presence as the otherrecording modes.OmnidirectionalOmnidirectional means that the microphone picks up sound equally from alldirections. This setting is perfect for recording a group of musicians allplaying at the same time, recording a conversation between multiple partiesaround a room, a conference call, or any other situations where you want tocapture the ambience of ‘being there.’ Because sound is picked up from all directionsin this mode, the orientation of the microphone isn’t crucial, but as a goodrule of thumb, start by orienting the front of the microphone at the primarysound source you wish to record.BidirectionalBidirectional means that the microphone picks up sound at the frontand rear of the microphone, while the sounds to the sides are”rejected”, or not picked up. The bidirectional setting is veryuseful in achieving a nuanced, pleasant sound when recording musicalinstruments, and is perfect for recording an interview with two or more guests.By placing the microphone between two or more subjects (front of microphonefacing one source, rear of microphone facing another), you can achieve anatural sound without the complexity of using multiple microphones.
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Category: Musical Instruments:Pro Audio Equipment:Microphones
Location: Callander