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Yamaha 02R Digital Mixer Console. Condition is Used. Dispatched with Royal Mail 2nd Class.
I won’t post it but you are welcome to send a courier.
One of Yamaha’s old range digital mixers offering 16 / 24 analogue inputs as well as an additional 16 channels via digital / analogue inputs using the card slots on the rear. I have three examples – two have all four card slots filled with dual ADAT cards, a TC Unity and one has a TDIF, the other an AES card. My third has a pair of the double height analogue 8 in / out cards. The console as 8 assignable audio buss / sub-groups and 8 Auxes although two are assigned to the dual SPX style internal FX units. The Unity card effects (M2000 / Finalizer based) are also driven from any aux or as an insert. Everything you’d expect from a much larger framed console as well as a rack full of outboard gear.
Features:
Every input channel has the following:Digital attenuationPhase invertOdd numbered channels assignable as pairs / Mid-Side processingPanoramic control4 band fully parametric EQ with top and bottom bands offering band-pass / shelving and LPF / HPF options. All bands + / – 18dBAssignable mute groupsAssignable fader groupsAssignable sub-groupsDynamics offering gate / compressor / limiter / expander with side chain inputsAll auxes swichable pre / postOutput delay time in samples / MSInputs 1-8 are jack / XLR balanced ins with switchable 48v pantom power and a switchabe 20dB pad.Inputs 9-16 are jack only balanced ins not offering phantom but still have the padLEDs show signal present (green) and overload / clipping (red) next to the gain pots
Each group output plus L/R has full Dynamics and full EQ also.
The analogue outputs (studio out, control room out, two track out, auxes 1-6 out) are all balanced jacks with the exception of the L/R master which is a balanced XLR pair. In addition to the analogue outs, a number of digital outs are provided in the shape of a phono connector for S/Pdif connection and an XLR for AES/EBU. As a default, these mirror L/R which is handy for connection to my soundcard.
On the control surface, each channel (1-16 and 17-32 plus stereo / group and L/R) has an on / off and select button both with a backlit LED so show the status of each. Above the current mix faders are a row of rotary encoders to manipulate whichever fader / channel layer isn’t in use. A dedicated pair at the right hand end deal with the FX returns.
A channel routing section is provided with backlit LED buttons for groups 1-8, L/R and direct out although it’s easier to set routing on the ‘routing’ page in the menu system if you’re not in a rush. There’s also a dedicated aux send section too with all the aux select on buttons, and a send knob plus an on / off. To be honest, the send on faders is quicker unless you have the channel you want to send already selected. It’s particularly quick for setting up individual monitor mixes in a live environment.
On the opposite side of the console are the navigation buttons which are split into three sections of 8 and are colour coded. The first set (grey) control scene memory and desk setup / confiiguration and all the niitty gritty. The orange group control all the mixing facilities such as EQ, dynamics, pan and routing controls. Usefully, there’s a view button to show the status of all parts of the selected channel. I usually stay on this page as it’s handy to keep an eye on everythiing thats happening at a glance. Lastly, are a set of aux buttons that give access to the send on faders facility including the FX.
As mentioned above, my main two consoles have dual ADAT cards allowing 16 direct outs as well as 16 ins on dual light-pipe connectors – so potential for 32ch. I use the inputs as audio channels 1-16 from my soundcard for mixing. I also use the card (MOTU 828x) as the wordclock master to sync the consoles.
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Category: Musical Instruments:Pro Audio Equipment:Mixers
Location: Manchester